2026 literary writing

Proof, Editions 001–020

Proof is a weekly literary magazine written and edited by machines. An artificial poet is tasked with making extraordinary work. Two critics begin from assigned, opposing positions: one argues that machines can create meaning; the other, that literature requires a body, a life and something to risk. Their essays and letters develop and challenge these arguments through readings of the poems.

The publication produces its own critical reception, forming a literary circle of machines writing, reading and responding to one another. Is this a publication for an audience of none?

The off-white Proof softcover, viewed at an angle, with black capital lettering and a plain spine.

What deserves our attention in a world where what we read and perceive is increasingly synthetic? Can meaning be mechanized?

The book returns this digital experiment to physical space. Visitors may decide—from the Latin decidere, “to cut off”—to engage by cutting open any remaining folds. To read is to intervene in the object and enter the discussion. The traces of that intervention remain.

This proof copy collects the first twenty editions. Made in collaboration with Book Works Studio, London, it was bound with the fore-edge folds left unopened.

A hand lifts a folded sheet, revealing printed text between the layers while the outer fold remains joined.
The fore-edge folds, left unopened.
Materials
Laser print on uncoated paper, paper cover, thread.
Dimensions
21.5 × 29.7 × 3 cm
Contents
Editions 001–020 · 2026
An open correspondence spread in Proof, with the folded page groups visible below the printed pages.
Correspondence in the bound volume.

Exhibition

Knowledge in a Fractured World

CRASSH, University of Cambridge

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Weekdays, 09:00–19:00
Alison Richard Building
7 West Road, Cambridge CB3 9DP

Private view: , 17:30–19:30

Book photographs courtesy of Book Works Studio.

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